Where Film Meets Philosophy interweaves
Merleau-Ponty's phenomenology and Deleuzean image-philosophy to
theorize cinema's ability to challenge conventional modes of thought.
Focusing on the formative 1960s films of Alain Resnais and Jean-Luc
Godard, Where Film Meets Philosophy explores the radical potential of film form and reveals the symbiotic evolution of cinema and twentieth-century philosophy.
Created by Rachel Smydra (firstname.lastname@example.org) on Wednesday, January 30, 2013 Modified by Rachel Smydra (email@example.com) on Monday, February 11, 2013 Article Start Date: Wednesday, January 30, 2013 Article End Date: Monday, February 11, 2013